| Slaughterhouse-Five | |
|---|---|
 Original film poster | |
| Directed by | George Roy Hill |
| Written by | Stephen Geller |
| Based on | Slaughterhouse-Five by Kurt Vonnegut |
| Produced by | Paul Monash |
| Starring |
|
| Cinematography | Miroslav Ondříček |
| Edited by | Dede Allen |
| Music by | Glenn Gould |
| Production | Universal Pictures |
| Distributed by | Cinema International Corporation |
| Release date |
|
| Running time | 104 minutes |
| Country | United States |
| Language | English |
Slaughterhouse-Five is a 1972 American comedy-drama military science fiction film directed by George Roy Hill and produced by Paul Monash, from a screenplay by Stephen Geller, based on the 1969 novel of the same name by Kurt Vonnegut.[1] The film stars Michael Sacks as Billy Pilgrim, who is unstuck in time and has no control over where he is going next. It also stars Ron Leibman as Paul Lazzaro and Valerie Perrine as Montana Wildhack.
Slaughterhouse-Five premiered at the 25th Cannes Film Festival, where it won the Jury Prize and was nominated for the Palme d’Or. The film also won a Hugo Award for Best Dramatic Presentation and a Saturn Award for Best Science Fiction Film. Sacks was nominated for a Golden Globe Award for Most Promising Newcomer – Male for his portrayal of Pilgrim.
Vonnegut wrote about the film soon after its release, in his preface to Between Time and Timbuktu: «I love George Roy Hill and Universal Pictures, who made a flawless translation of my novel Slaughterhouse-Five to the silver screen. I drool and cackle every time I watch that film, because it is so harmonious with what I felt when I wrote the book.»[2]
Plot[edit]
The film is presented in a nonlinear narrative. The following is a linear summary of the plot.
In Ilium, New York, the middle-aged Billy Pilgrim writes a letter to the editor claiming to have become «unstuck in time»; he finds himself as a young man behind enemy lines in Belgium during World War II, where he and a number of other American troops are captured by the Germans. A fellow prisoner of war, Paul Lazzaro, develops a grudge against Billy and vows to kill him; at a camp, Lazzaro attacks Billy but is intercepted by an older POW, Edgar Derby. Billy and Derby develop a friendship. The Americans are set to be transferred to Dresden for the duration of the war and are asked to elect a leader. When Lazzaro nominates himself, Billy nominates Derby for the role, and Derby is acclaimed after Lazzaro steps down. In Dresden, the POWs are placed in a slaughterhouse, Slaughterhouse-Five. During dinner, sirens sound off and the POWs head to shelter; the firebombing of Dresden commences, during which Billy believes 100,000 perish. The POWs emerge and the Germans have them sort through the ruins for survivors, warning looting will be punished. When Derby discovers a dancing figurine, he pockets it, and is executed by a Nazi firing squad.
After the war, Billy marries the wealthy Valencia, whose father owns an optometry school, and Billy goes into the field. They have two children, Robert and Barbara. Robert becomes a troubled adolescent, at one point caught by the police vandalizing a Catholic cemetery. Billy bribes the police into letting Robert go. Billy and his father-in-law Lionel Merble board a private jet for an optometry convention. When Billy looks out the window and sees men in ski masks, he has a premonition the plane will crash en route, which it does. Lionel is killed but Billy is found alive and taken to hospital. On her way to the hospital, a distressed Valencia has multiple accidents and her car’s exhaust is destroyed, causing her to die of carbon monoxide poisoning.
Billy is released from the hospital and opts to live alone, over the objections of Barbara. Robert has reformed and enlisted for the Vietnam War. While alone, Billy is abducted to the alien planet of Tralfamadore, along with film actress Montana Wildhack. The Tralfamadorians live in the «fourth dimension» and teach Billy the universe is made up of random moments strung together; when one dies, they go back to another point in their life, and it is up to them to focus on good moments and ignore the bad. The Tralfamadorians hope Billy and Montana will mate. Billy and Montana fall in love and have a child, whom Montana names Billy Jr. On Earth, Billy argues with Barbara about the existence of Tralfamadore; Billy, being able to travel into the future as well as the past, shares a vision of his death, in which he is fatally shot by an elderly Lazzaro while giving a speech about Tralfamadore.
Cast[edit]
- Michael Sacks as Billy Pilgrim
- Ron Leibman as Paul Lazzaro
- Eugene Roche as Edgar Derby
- Sharon Gans as Valencia Merble Pilgrim
- Valerie Perrine as Montana Wildhack
- Holly Near as Barbara Pilgrim
- Perry King as Robert Pilgrim
- Kevin Conway as Roland Weary
- Friedrich von Ledebur as German Leader
- Ekkehardt Belle as Young German Guard
- Sorrell Booke as Lionel Merble
- Roberts Blossom as Wild Bob Cody
- John Dehner as Professor Rumfoord
- Gary Waynesmith as Stanley
- Richard Schaal as Howard W. Campbell Jr.
- Gilmer McCormick as Lily Rumfoord
- Stan Gottlieb as Hobo
- Karl-Otto Alberty as German Guard — Group Two
- Henry Bumstead as Eliot Rosewater
- Lucille Benson as Billy’s Mother
- John Wood as English Officer, credited as Tom Wood
Music[edit]
Slaughterhouse-Five is the first of two feature films for which Glenn Gould supplied the music; Bach Concerto #5 in F Minor, BWV 1056, and Concerto #3 in D Major, BWV 1054 were recorded at Columbia Studios with the Columbia Symphony orchestra; some selections came from existing recordings, and two featured other artists, including Rudolph Serkin, piano, with Casals conducting Brandenburg Concerto #4 in G Major, BWV 1049, III Presto. The film used such a small amount of music that the soundtrack album added atmospheric excerpts from Douglas Leedy’s synthesized triple album Entropical Paradise.
The prolonged rendition of the final movement of Bach’s fourth Brandenburg concerto accompanies a cinematic montage as the main character first encounters the city of Dresden.
Awards[edit]
The film won the Prix du Jury at the 1972 Cannes Film Festival,[3] as well as a Hugo Award and Saturn Award. Both Hill and Geller were nominated for awards by their respective guilds. Sacks was nominated for a Golden Globe.
See also[edit]
- List of American films of 1972
References[edit]
- ^ Canby, Vincent (March 23, 1972). «Film: Time-Tripping With ‘Slaughterhouse-Five’«. The New York Times. Retrieved November 7, 2020.
- ^ Parshall, Peter F. (1987). «Meditations on the Philosophy of Tralfamadore: Kurt Vonnegut and George Roy Hill». Literature/Film Quarterly. 15 (1): 49–59. JSTOR 43796292. Retrieved November 7, 2020.
- ^ «Festival de Cannes: Slaughterhouse-Five». festival-cannes.com. Retrieved 2009-04-13.
External links[edit]
- Slaughterhouse-Five at IMDb
- Slaughterhouse-Five at Rotten Tomatoes
- Slaughterhouse-Five at AllMovie
- Review of the film by Vincent Canby
- Glenn Gould at the Movies, a Sony Classical recording with music from the film (including this 46-second clip[permanent dead link] in WAV format)
| Slaughterhouse-Five | |
|---|---|
| Original film poster | |
| Directed by | George Roy Hill |
| Written by | Stephen Geller |
| Based on | Slaughterhouse-Five by Kurt Vonnegut |
| Produced by | Paul Monash |
| Starring |
|
| Cinematography | Miroslav Ondříček |
| Edited by | Dede Allen |
| Music by | Glenn Gould |
| Production | Universal Pictures |
| Distributed by | Cinema International Corporation |
| Release date |
|
| Running time | 104 minutes |
| Country | United States |
| Language | English |
Slaughterhouse-Five is a 1972 American comedy-drama military science fiction film directed by George Roy Hill and produced by Paul Monash, from a screenplay by Stephen Geller, based on the 1969 novel of the same name by Kurt Vonnegut.[1] The film stars Michael Sacks as Billy Pilgrim, who is unstuck in time and has no control over where he is going next. It also stars Ron Leibman as Paul Lazzaro and Valerie Perrine as Montana Wildhack.
Slaughterhouse-Five premiered at the 25th Cannes Film Festival, where it won the Jury Prize and was nominated for the Palme d’Or. The film also won a Hugo Award for Best Dramatic Presentation and a Saturn Award for Best Science Fiction Film. Sacks was nominated for a Golden Globe Award for Most Promising Newcomer – Male for his portrayal of Pilgrim.
Vonnegut wrote about the film soon after its release, in his preface to Between Time and Timbuktu: «I love George Roy Hill and Universal Pictures, who made a flawless translation of my novel Slaughterhouse-Five to the silver screen. I drool and cackle every time I watch that film, because it is so harmonious with what I felt when I wrote the book.»[2]
Plot[edit]
The film is presented in a nonlinear narrative. The following is a linear summary of the plot.
In Ilium, New York, the middle-aged Billy Pilgrim writes a letter to the editor claiming to have become «unstuck in time»; he finds himself as a young man behind enemy lines in Belgium during World War II, where he and a number of other American troops are captured by the Germans. A fellow prisoner of war, Paul Lazzaro, develops a grudge against Billy and vows to kill him; at a camp, Lazzaro attacks Billy but is intercepted by an older POW, Edgar Derby. Billy and Derby develop a friendship. The Americans are set to be transferred to Dresden for the duration of the war and are asked to elect a leader. When Lazzaro nominates himself, Billy nominates Derby for the role, and Derby is acclaimed after Lazzaro steps down. In Dresden, the POWs are placed in a slaughterhouse, Slaughterhouse-Five. During dinner, sirens sound off and the POWs head to shelter; the firebombing of Dresden commences, during which Billy believes 100,000 perish. The POWs emerge and the Germans have them sort through the ruins for survivors, warning looting will be punished. When Derby discovers a dancing figurine, he pockets it, and is executed by a Nazi firing squad.
After the war, Billy marries the wealthy Valencia, whose father owns an optometry school, and Billy goes into the field. They have two children, Robert and Barbara. Robert becomes a troubled adolescent, at one point caught by the police vandalizing a Catholic cemetery. Billy bribes the police into letting Robert go. Billy and his father-in-law Lionel Merble board a private jet for an optometry convention. When Billy looks out the window and sees men in ski masks, he has a premonition the plane will crash en route, which it does. Lionel is killed but Billy is found alive and taken to hospital. On her way to the hospital, a distressed Valencia has multiple accidents and her car’s exhaust is destroyed, causing her to die of carbon monoxide poisoning.
Billy is released from the hospital and opts to live alone, over the objections of Barbara. Robert has reformed and enlisted for the Vietnam War. While alone, Billy is abducted to the alien planet of Tralfamadore, along with film actress Montana Wildhack. The Tralfamadorians live in the «fourth dimension» and teach Billy the universe is made up of random moments strung together; when one dies, they go back to another point in their life, and it is up to them to focus on good moments and ignore the bad. The Tralfamadorians hope Billy and Montana will mate. Billy and Montana fall in love and have a child, whom Montana names Billy Jr. On Earth, Billy argues with Barbara about the existence of Tralfamadore; Billy, being able to travel into the future as well as the past, shares a vision of his death, in which he is fatally shot by an elderly Lazzaro while giving a speech about Tralfamadore.
Cast[edit]
- Michael Sacks as Billy Pilgrim
- Ron Leibman as Paul Lazzaro
- Eugene Roche as Edgar Derby
- Sharon Gans as Valencia Merble Pilgrim
- Valerie Perrine as Montana Wildhack
- Holly Near as Barbara Pilgrim
- Perry King as Robert Pilgrim
- Kevin Conway as Roland Weary
- Friedrich von Ledebur as German Leader
- Ekkehardt Belle as Young German Guard
- Sorrell Booke as Lionel Merble
- Roberts Blossom as Wild Bob Cody
- John Dehner as Professor Rumfoord
- Gary Waynesmith as Stanley
- Richard Schaal as Howard W. Campbell Jr.
- Gilmer McCormick as Lily Rumfoord
- Stan Gottlieb as Hobo
- Karl-Otto Alberty as German Guard — Group Two
- Henry Bumstead as Eliot Rosewater
- Lucille Benson as Billy’s Mother
- John Wood as English Officer, credited as Tom Wood
Music[edit]
Slaughterhouse-Five is the first of two feature films for which Glenn Gould supplied the music; Bach Concerto #5 in F Minor, BWV 1056, and Concerto #3 in D Major, BWV 1054 were recorded at Columbia Studios with the Columbia Symphony orchestra; some selections came from existing recordings, and two featured other artists, including Rudolph Serkin, piano, with Casals conducting Brandenburg Concerto #4 in G Major, BWV 1049, III Presto. The film used such a small amount of music that the soundtrack album added atmospheric excerpts from Douglas Leedy’s synthesized triple album Entropical Paradise.
The prolonged rendition of the final movement of Bach’s fourth Brandenburg concerto accompanies a cinematic montage as the main character first encounters the city of Dresden.
Awards[edit]
The film won the Prix du Jury at the 1972 Cannes Film Festival,[3] as well as a Hugo Award and Saturn Award. Both Hill and Geller were nominated for awards by their respective guilds. Sacks was nominated for a Golden Globe.
See also[edit]
- List of American films of 1972
References[edit]
- ^ Canby, Vincent (March 23, 1972). «Film: Time-Tripping With ‘Slaughterhouse-Five’«. The New York Times. Retrieved November 7, 2020.
- ^ Parshall, Peter F. (1987). «Meditations on the Philosophy of Tralfamadore: Kurt Vonnegut and George Roy Hill». Literature/Film Quarterly. 15 (1): 49–59. JSTOR 43796292. Retrieved November 7, 2020.
- ^ «Festival de Cannes: Slaughterhouse-Five». festival-cannes.com. Retrieved 2009-04-13.
External links[edit]
- Slaughterhouse-Five at IMDb
- Slaughterhouse-Five at Rotten Tomatoes
- Slaughterhouse-Five at AllMovie
- Review of the film by Vincent Canby
- Glenn Gould at the Movies, a Sony Classical recording with music from the film (including this 46-second clip[permanent dead link] in WAV format)
Главный герой фильма «Бойня номер пять» (1972) Билли Пилигрим, слегка «отмороженный» джентльмен, совершающий путешествия во времени и пространстве. Мы увидим его приключения на войне, умильную пенсионную прострацию и появление на загадочной планете Тральфамадор, где таинственные пришельцы наблюдают за жизнью Билли из своего четвертого измерения!
Фильм «Бойня номер пять» (1972) смотреть онлайн бесплатно в хорошем HD 720 — 1080 качестве:
Смотреть фильм «Бойня номер пять» (1972) в хорошем качестве:
‘Облачный атлас’, 40 лет до этого
Как мне довелось услышать, романы Курта Воннегута младшего (сам-то я не читал) относятся к присказкам ‘Читал Хемингуэя — не понял ни Хемингуя’. Другими словами, его неординарный подход к написанию литературы привёл к тому, что он стал своеобразным классиком, однако же, для простого обывателя он стал труднодоступным для понимания писателя.
Тоже самое я могу сказать и о фильмах, поставленных по его творениям. Доселе я видел только один фильм, связанный с Куртом Воннегутом — ‘Завтрак для чемпионов’ и так до сих пор не понял как точно понимать эту картину, тоже самое теперь я могу отнести к ‘Бойне номер пять’, но зато теперь могу понять, где же черпали вдохновение создатели не так давно вышедшего на экраны фэнтези-драматического проекта ‘Облачный атлас’.
В ‘Бойне номер пять’ вслед за главным героем — Билли Пилигримом (Майкл Сакс) — мы будем путешествовать из военного прошлого в социальное настоящее, из настоящего в фантастическое, из фантастического в прагматичное будущее и так далее и тому подобное, всё это будет смешано, словно коктейль состоящий из временных пластов и различных жанров, то есть множества компонентов и чтобы их распознать надо не раз попробовать и смаковать этот коктейль. Кому-то он покажется вкусным, неожиданным и ни на что непохожим, а кому-то смесью от полусумасшедшего бармена, но все сойдутся на одном — этот коктейль причудливый.
Если абстрагироваться от сюжета, хотя он имеет самое важное значение для фильма ‘Бойня номер пять’, но его сложно связать, как я говорил выше, то хочется отметить великолепную режиссуру вместе с операторской работой. Ни разу на протяжении картины не возникало чувства, что постановщик киноленты Джордж Рой Хилл и оператор Мирослав Ондржичек (как мне кажется, то выходцы с восточной Европы становятся одними из лучших операторов в Голливуде) вовсе не стремились к международному признанию, они словно сделали вызов самим себе — смогут ли поставить картину со столь сложным сценарием. Оказывается, могут, да ещё и как. Каждый фрагмент фильма, показан с классической для 70-х годов прошлого столетия точностью, если это война, то это будет война, с присущим холодом, животным страхом, сумасшествием тех, кто не смог выдержать всего происходящего. Если же это фантастика, то это — фантастика с высшим разумом, с его прямотой, прагматичностью, экспериментом, отсутствием чувств и эмоций.
Курт Воннегут младший когда-то сказал, что его книга является антимилитаристской, говорит о том, что на войну попадают не мужчины, а дети, и дальше они не становятся мужчинами, они остаются испуганными детьми с обозлённым взглядом на мир. Возможно, он прав, ведь он сам прошёл бомбардировку Дрездена, когда погибло множество людей.
Но как по мне ‘Бойня номер пять’ — это история сошедшего с ума паренька, попавшего в плен во время Второй Мировой войны, у него поствоенный синдром, он подвержен галлюцинациям, это тайный мир подсознания того, кто молодым и зелёным попал на настоящую бойню.
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